Programación cultural
Abarán
¿Buscas un plan diferente en Abarán? Llega SALA DINAMIC al Edificio CIMA. De 20:30 a 23:30 h Viernes y sábados Un espacio donde la creatividad cobra vida con: Fotografía Baile DJs Tatuajes Y muchas más sorpresas Aquí se viene a crear, compartir y disfrutar. ¿Te apuntas?
Salas de exposiciones
Cartagena
El edificio alberga dos salas de exposiciones ubicadas en la planta baja, a las que se accede por el espectacular vestíbulo modernista. El espacio de exposiciones más grande, a la derecha de la entrada se divide a su vez en distintas salas que se van comunicando. En ella, se dan cabida todo tipo arte, desde escultura, pintura, fotografía y originales montajes contemporáneos. La segunda de las alas está dedicada a los jóvenes creadores, una iniciativa reciente que pretende acercar el arte a los más nóveles Se trata de la galería de arte emergente Subjetiva, la iniciativa ha sido promovida por la Concejalía de Juventud, que ha detectado la necesidad de un espacio expositivo que facilite la proyección de los jóvenes creadores, normalmente limitados por la inexistencia de oportunidades para realizar exposiciones individuales.
Museums
Puerto Lumbreras
El museo se formó a partir de la donación realizada por Alfonso Velasco Andreo, vecino del municipio. Alfonso Velasco Andreo, conocido como 'Augusto Vels', nace en Puerto Lumbreras (Murcia) en 1917. En 1949 inició un sistema de medición de los signos gráficos que llamó GRAFOANÁLISIS. Es su gran aportación a la psicología de la escritura, demostrar que el grafismo es medible. Se exponen documentos, cartas y revistas sobre grafología, entre la que destaca la obra 'Escritura y Personalidad', donde se sistematizan y ordenan (en grafología española), el conjunto de signos y su interpretación.
Salas de exposiciones
Yecla
Permanent exhibition of the Yeclano artist Rico López. Inaugurated on 17 May 2014, the Museum is born from the artist's desire to donate part of his artistic legacy to his city. The collection is made up of fifty oil paintings with mowing and fishing scenes in which its strong chromaticism stands out. Simple and everyday scenes such as a watering hole with thistles, a basket of garlic, the whitewashed walls of the houses or a mother rocking her child. He also offers works from his last stage, which he defines as "conceptual surrealism". The Museum also has ten albums with information on the numerous exhibitions that the artist has made throughout his career.
Natural areas
Alhama de Murcia
Totana
En el fondo del Valle del Guadalentín, entre Sierra Espuña y la Sierra de Carrascoy, se encuentra este Paisaje Protegido, camuflado entre un amplio mosaico agrario de cultivos extensivos de regadío, cultivos de arbolado y construcciones humanas, donde aparece en su mayor expresión la vegetación natural de la zona: el saladar. Es una llanura salina en torno a diferentes cursos fluviales, destacando las ramblas de Las Salinas y La Quebrada de Beatriz, o el conocido cauce del río Guadalentín, que es el más importante y que le da nombre. La superficie protegida se corresponde con cuatro áreas de saladar aisladas entre sí, consideradas relictos de un área de saladar mucho mayor en décadas pasadas. Es Lugar de Importancia Comunitaria (LIC) por estar aquí representados siete hábitats de interés comunitario, siendo el de las estepas salinas de interés prioritario. Además, está designado como Zona de Especial Protección para las Aves (ZEPA) por la presencia de la cigüeñuela (Himantopus himantopus) y ortega (Pterocles orientalis). Más información: www.murcianatural.carm.es/web/guest/saladares-del-guadalentin
Monuments
Lorca
En el S. XVIII se comienzan a levantar las Salas destinadas al Cabildo de la Insigne Colegial lorquina. La fachada se remató con la imagen de San Patricio.
Auditorios y teatros
Molina de Segura
TaXIs
Alhama de Murcia
Parada de taxi en C/ Tomás Moro. Licencia de taxi nº 6.
Museums
Murcia
Salzillo Museum. It was opened in 1960 and deeply remodelled in 2002 by the architect Yago Bonet Correa. It is a mixture of typologies: we have the Baroque Art which is still alive under the watchful eye of the Church of Jesus, see of the Brotherhood of the same name and which was declared artistic historical monument from 1935; and also the Contemporary Art, created in 2002 by this architect. A mixture of styles which coexist in perfect harmony. In the outside, in the lateral façade we find a magnificent portal which belongs to the ancient Renaissance Palace of Riquelme (previously located next to the Plaza de San Bartolomé and currently disappeared). It is meaningful that this family also ordered Salzillo the sculpture set of the nativity scene in 1776. This project kept him busy until his death in 1783. In the church of Jesus the Nazarene, famous thrones of Francisco Salzillo are exposed and walk in file on Good Friday morning: "La Caída" (1752), "la Verónica" (1754), "San Juan" and "la Dolorosa", made between 1752 and 1777, "la Santa Cena del Señor" (1763), "la Oración en el Huerto" (1752), "el Prendimiento" (1765) and "Cristo amarrado a la columna" or "Los Azotes", which was made between 1776 and 1777 and the last throne of this maker of religious images. The carving which names the Brotherhood, "Nuestro Padre Jesús" (Our Father Jesus), an anonymous carving of the 16th and 17th centuries and the one which gives its own name to a brotherhood, is the only one that wasn't made by Salzillo. 556 figures, which form the famous "Belén" (Nativity scene) also highlight. These figures were ordered to Salzillo by the marquis of Riquelme, and also an interesting collection of original clay sketches.
Monuments
Mazarrón
The San Andrés Church was built by the Marquis of Villena. From the original structure the main room has been conserved, distinguished for its handcrafted beauty, in the Mudéjar style. The rest of the building has been subjected to different restorations, giving it the architectural style that the church shows today. The interior still has some remains of parietal pictures and decorations. One of its two doors, the lateral one, corresponds to where the temple’s original entrance was, and as described by González Simancas during his early 20th century visit, it held the coat of arms of Guzmán, Cisneros, Enríquez and others, inscribed in circular flowers and fruits crowns and fruit in relief, in a style similar to the Junterón chapel within the Cathedral of Murcia. The San Andrés Church has been declared a Site of Cultural Interest.
Monuments
Mazarrón
At the feet of Los Vélez Castle hill, and within the population nucleus that would extend around it, the San Antonio de Padua church is located very near the San Andrés Church (16th century). The Church of San Antonio, completed in the second half of the 16th century, was ordered to be built by the Marquis of Los Vélez to provide space for the religious rites of the workers who lived in the villa and depended on him. The temple is a very simple construction, subjected to different reforms and changes in time, especially during the 19th and 20th centuries, when the cupola of the transept was repaired and a new bell tower and vestry were built. During the Civil War (1936-1939) the Baroque altarpiece and some smaller altars were destroyed, later to be substituted by pieces created to reproduce the original ones. Inside, the cupola of the transept is distinguished for its pendentives with paintings of saints. On the main facade, a niche of San Antonio de Padua is distinguished in addition to Los Vélez coat of arms.
